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Depending on the time of day, meals with varied menus are served to this very diverse clientele. For breakfast, for example, the saleswomen have bowls on a table, each containing a sauce to make a sandwich, at the customer's discretion, on site or to take away, wrapped in newspaper:
"Arame provides its customers with three long benches. On his table are bowls containing mayonnaise, tuna, pea sauce, spaghetti, French fries, canned meat, ndambé etc. It adds seasonings and spices (chilli, pepper, broth) to foods to suit the taste of customers.
For some vendors the entire preparation chain is a very serious matter, and therefore personal, especially for reasons related to Muslim (halal) precepts:
The rice in the photo is known as "Namar catsa" or " Caca". It looks strange from its name to its colour. According to the farmers, the rice used to be eaten by the Kings and the senior citizens because it is nutritious. The interviewee shared, "it made up complete balanced nutrition for the sick or weak. But now most of our people don't have much knowledge concerning with that kind of paddy ( including me). Today that kind of rice is not grown widely".
Pipariya, as pointed by a number of early settlers of the town, shares its’ initial history with a section of railway line that was laid out during the colonial rule to connect the cities of Bombay (present-day Mumbai) and Calcutta (present-day Kolkata).
Bruno to vendor: Are you a Moor?
Vendor: “I am a Pulaar (ethnic group from Senegal) sir, and I am from Lao Air. You can't read? It's nevertheless well written on my beautiful stove! - - aere lao cité baratal fouta toro. ... I know this way of preparing meat better than the Moors. It is a job, like any other, that does not belong to any ethnic group."
Let's build this up together
Let's build this together
The Kokrajhar workshop on rice revealed how urbanization and ‘modern’ non-agricultural lifestyle is putting pressure on the practice of rice cultivation. The space for transmitting indigenous knowledge system is shrinking and rice as a site of knowledge and meaning is being challenged, though it continues to be the main staple in the region. With growing number of younger people migrating to urban areas looking for job opportunities and the gradual spread of urbanization process, the biggest challenge is how to sustain productivitity.
I interviewed one of the weavers about the customer preferences in the design of luntaya acheik .
I want to weave this design (as shown in the pictures) but I don’t do it. I don’t weave this design because the customers don’t like it. If I make it then I will have to sell it at a discount. But some customers from abroad often order older or traditional designs like this.
Lemon is a fruit and a small shrub that grows 5 to 10 meters high. It has many benefits, culinary and therapeutic. I like to squeeze a lemon daily when I take tea. On my visit to Leiden, The Netherlands, I bought a lemon at a Saturday Market – one lemon for one Euro - in July 2019.
“A lemon for one Euro” - It was a high price but it made me think about the two different worlds – one in the south, Mali, where I live and a developing region, and the other in the north- the developed region.
Simi Mariya Thomas, Research Scholar, MIDS, selected a photograph from the exhibition, Ambedkar Nagar- Near Kakkan Bridge, Chennai, to write her story for the session on Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
Superwomen of Chennai always surprise and excite me. They design their life in a manner in which they are fully involved into some sort of activities around the clock.
Simi Mariya Thomas, Research Scholar, MIDS, re-imagined an article circulated as pre-workshop reading in context of her work for the session Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
The temporary aura of Kannagi statue, in Chennai, which was visible during its installation as well as disappearance made me think about the current media culture.
The two women are as different as chalk and cheese. And I don't mean in terms of skin colour alone. Their appearance distinctly identifies them from two different regions of India - Northeast and South. They speak different languages and cook and eat food vastly different. But they are one - as women, as mothers as sisters in arms. They are united in their strength in the face of adversity. Migration, resettlement and subsistence bring them together in this space. Each is invisible, marginalised and discriminated against - be it colour, caste or communal identity.
Vinitha Jayaprakasan, Research Assistant, Centre for Community Knowledge, Ambedkar University Delhi wrote The Emerald Green Scarf as part of the workshop session on Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
Cheryl Jacob, Coordinator (content & curriculum design) wrote Who am I? for the session on Day 2:Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
Who am I? I am free. I am free to flow, free in nature. I take the state that nature gives me. In your hands I am turned into something that nature, perhaps, did not intended me for. But then who knows.
Mesha Murali, Senior Research Assistant, Centre for Community Knowledge, Ambedkar University Delhi, for her story took inspiration from all the exhibited photos for the session on Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
I saw people sitting on the street, outside their houses, talking, eating and enjoying the passing day. Children were playing games, laughing, dancing to music and being asked by their parents to stay at a safe distance from the main street.
Surajit Sarkar, Centre for Community Knowledge, Ambedkar University Delhi wrote The blue belt for the session on Day 2: Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
Reading ‘Recipes for Re-enchantment’ allowed a reinterpretation of my ‘Blue Canvas Belt’, which I bought last month after waiting for something like it since 2015.
Kumar Unnayan, Centre for Community Knowledge, Ambedkar University Delhi wrote Jaadoonagri (Wonderland) for the session on Day 2:Reading/Writing/Re-writing/Telling/Re-telling using objects/prompts, 20 December 2019.
Nini Lungalang is an important voice in Naga poetry. She taught English and classical music in Northfield School, Kohima, Nagaland. In the poem Dust, she voices the experiences of numerous Naga brothers and sisters who have lost their lives.
Photographs have proven to be interesting tools to get people to open up about themselves and share memories of their past. For instance, the photo of Anwar posing at Phasi Ghar (execution point) not only got him talking about the monument that no longer stands, but also reminded him of his childhood spent dressing up and posing for photographs at various locations in Mehrauli, Delhi.
Mesha Murali: Bus stand se aage. Kahan?
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