Group identity

Konbaung Dynasty and Luntaya Acheik

Luntaya acheik originated in Konbaung dynasty (1752-1885) and could be worn only by kings and queens. If this new fabric was presented respectfully to the king and queen, a prize would be awarded to the giver. Commoners were not allowed to wear a new one but it could worn the king’s hand-me-downs which is awarded to the outstanding person in the service of the king.

Who am I?

Cheryl Jacob, Coordinator (content & curriculum design) wrote Who am I? for the session on Day 2:Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.

Who am I? I am free. I am free to flow, free in nature. I take the state that nature gives me. In your hands I am turned into something that nature, perhaps, did not intended me for. But then who knows.

Rise Naga Women

This song "Rise, Naga Woman" composed by Theyiesinuo Keditsu, music by Khyochano TCK and Topeni as soloist,  was chosen as the winner for the ‘State Theme Song for Women’ and was released by the State Resource Centre for Women (SRCW) under the aegis of the Nagaland State Social Welfare Board (NSSWB) during a program organised to observe the International Day for the elimination of violence against women.

The song speaks to Naga women and asks them to spread their wings and rise up against discrimination and inspire all of Nagaland and take them to a glorious future.

Voices from the outside

Dr Imsuchila Kichu is an Assistant Professor of English at Cotton University, Assam. The following is an excerpt from a piece penned by her reflecting upon Naga women and society from the perspective of an insider who has lived away from her community.

Re-seizing the Naga Narrative

Dr. Akum Longchari is the editor of The Morung Express and has been involved with the people's movements in the areas of human rights, justice, peace, and reconciliation. He also engages actively with the Forum for Naga Reconciliation and is associated with the online community journal, the Naga Republic. 

The following is an excerpt from a conversation with Dr Rakhee Kalita Moral.

Trades of a Town: Tendu Patta

Madhya Pradesh is India’s leading tendu leaf producing state. Used primarily to make Beedi , this valuable forest produce has a history of control and ownership over the years. Piyush Kothari (63), a local tendu merchant based in Pipariya, talks about the changes in the trade and how the town’s proximity to nearby forest tracts made it suitable for the early traders. Excerpts from our recorded conversation (December 2017):   

The Network of Women: Weaving Freedom

A popular success story of the North-East Network (NEN) is Chizami Weaves where the NEN together with a network of 600+ local women from Chizami and the neighbouring villages of Phek district in Nagaland built ‘Chizami Weaves’  an enterprise that aimed to preserve and promote the rich textile weaving tradition of Nagaland. While empowering rural women economically, it also gave them a voice and agency to bring about positive changes in their families and communities. Gender relations within homes are changing.

The Network of Women

I am Wekoweu Tsuhah (Akole) and I belong to the Chakhesang tribe of Nagaland. I am a women’s rights activist and a development practitioner, an advocate for gender equality, social and environmental justice. While growing up, I experienced fear and rage as I lived through armed conflict, alcoholism, domestic violence, poverty and these shaped the person I am today. I am passionate about working with people, women in particular; but it is only after I started working with a women’s rights organization – NEN, the North-East Network, did I truly realize and recognize these social injustices.

Phool Waalon ki Sair: The Flower Seller's Festival

Phool Walon Ki Sair meaning "procession of the florists" is an annual celebration by the flowers sellers of Delhi. It is a three-day festival, generally held just after the rainy season in the region of Mehrauli. The grand procession that followed Mirza Jahangir’s return in 1812 witnessed the flower sellers of the city bringing floral chadar (sheets) and pankha (fan) as offerings. This became an annual event, with a large fair and a series of cultural performances held near Shamsi Talab.

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