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This photo is from a book, Lunyakyaw-kyo-gyi acheik / လွန်းရာကျော်ကြိုးကြီးချိတ်, written by U Shwe Htun about the textile industry and textile design. It is a good source to understand the history of acheik, its evolution, the process and preservation till 2005. One of the interesting part of the history, as mentioned in the book, is the different attitudes of the reigning regime towards this weaving practice. For example, while acheik was not allowed to be woven in the Bagan period, but in the Innwa period (1346-1526 C.E.) only a lower quality was woven.
I interviewed one of the weavers about the customer preferences in the design of luntaya acheik .
I want to weave this design (as shown in the pictures) but I don’t do it. I don’t weave this design because the customers don’t like it. If I make it then I will have to sell it at a discount. But some customers from abroad often order older or traditional designs like this.
The photograph shows migrant daily wage labour walking through a deserted underpass on their way out of Delhi.
The images are from Kokrajhar Town bi- weekly market. Every Thursday and Sunday people living in and around the District Headquarter of Kokrajhar in the BTC (Bodo Territorial Council) area visit the main market when the bi-weekly bazaar takes place. The bazaar is a huge affair where assorted items are sold and bought, and contribute to the local economy. From direct producers-to-middlemen-to-whole salers of innumerable products partake in the commercial exchanges here. There are dedicated lanes and by-lanes within the market area for different items sold.
When on 25 March 2020, the Prime Minister of India, Narendra Modi, announced immediate lockdown in the country to stem the spread of Covid 19, without a forewarning, it left millions of migrant workers unemployed and no way of sustaining themselves. While thousands undertook walking on foot, many rushed to the inter-state bus terminals before they too were shut down.
Thousands of stranded migrant labourers and their families have been making desperate attempts to reach their villages amind the lockdown in India imposed by the Centre and state governments to combat Covid 19. The police in Indore, Madhya Pradesh, found at least 18 workers hiding inside a cement mixer bound from Maharashtra to Lucknow on 2 May 2020.
Le Mali à l'instar des autres pays est touché par la pandémie Covid 19. Des mesures sont prises: le lavage des mains au savon, un respect de la distanciation d'au moins un mètre, l'utilisation du gel et un couvre-feu instauré de 21h à 05 h du matin. À Gao, comme partout la population est consciente de ce fléau et certaines organisations ont fermé et d'autres travaillent timidement.
Genetic research into rice from the inlands of Suriname draws attention to the history of West Africans who were deported as slaves to this former Dutch colony. While there are many grains of Asian rice, Surinamese black rice, ‘Blaka aleisi’, turned out to be almost identical to rice farmed by Mande-speaking farmers in West Ivory Coast according to research by Tinde van Andel. This rice was rarely eaten but instead was sacrificed to ancestors and used in spiritual herbal baths.
Faya Siton, meaning hot stone, is an old song from Suriname that is sung during a specific children’s game. Children sit in a circle and pass on a stone – in reality often a pit – and rub it on the ground so that it turns hot. While cheerful the song is about Master Jan from Holland who brands people and kills children. The lyrics go “Faya siton, no bron miso, no bron miso. Agen masra Jantji e kir sma pikin”, which means “Hot stone, do not burn me so, do not burn me so. Master Jan has killed someone’s child again.”
