Accession cards

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    The Future of Luntaya Acheik Design

    I interviewed one of the weavers about the customer preferences in the design of luntaya acheik .

    I want to weave this design (as shown in the pictures) but I don’t do it. I don’t weave this design because the customers don’t like it. If I make it then I will have to sell it at a discount. But some customers from abroad often order older or traditional designs like this.

    Luntaya Acheik and Daw Aung San Suu Kyi

    The techniques of weaving industry including luntaya acheik could be woven the locals proficiency.  It was the most flourishing period in Konbaung dynasty (1752-1885). In later times, the people had less interested in wearing acheik garment due to the political and economic difficulties.

    Function vs Form: What determines a design's value?

    The first photograph is one that depicts a Jacquard loom print card, a piece of cardboard that has been punctured with holes in order to consistently replicate a complex design on a weaving loom. This particular print card would have been used to create handmade Dutch damask linen in the 19th century, as part of the W.J. van Hoogerwou & Zonen mill whose pieces are currently located at the Textielmuseum in Tilburg, Netherlands. One such product of damask linen would be a tablecloth, which was also on display nearby.