Getting Ready for School?
Aarti Kawlra selected a photograph from the exhibition, Ambedkar Nagar- Near Kakkan Bridge, Chennai, to write her story for the session on Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
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Aarti Kawlra selected a photograph from the exhibition, Ambedkar Nagar- Near Kakkan Bridge, Chennai, to write her story for the session on Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
When on 25 March 2020, the Prime Minister of India, Narendra Modi, announced immediate lockdown in the country to stem the spread of Covid 19, without a forewarning, it left millions of migrant workers unemployed and no way of sustaining themselves. While thousands undertook walking on foot, many rushed to the inter-state bus terminals before they too were shut down.
Floor drawings, especially those made by variously connecting a grid of dots using white rice flour powder or paste, are often seen at the entrance of people's homes in Tamil Nadu. Known as the kolam, these designs are typically executed by women as part of early morning household chores and renewed daily as a recurring motif of everyday life. This kolam depicts the coronavirus as the evil eye that will protect, but equally harm, if not heeded.
This haiku encapsulates my impression of the debate titled 'Cash or kind transfer? The regional, national and global dimensions of revamping the Public Distribution System' facilitated by Augustin Brutus, a scholar activist (Intercultural Network for Development and Peace) and post-doctoral scholar at IFP, Nithya Joseph, at the Pondicherry workshop. The participants included Sudha Sundaraman, of the AIDWA (All Democratic Women's Association) and members of the local women's group SAMAM (Samam Makalir Suyasarbu Iyakkam).