Photograph(s)

Ayaakho Ojala

Every mother tongue has sounds and sighs that utter laments and express hope. The word Ayaakho Ojala is derived from the Ao Indigenous tribal language and is the ultimate angst that is often invoked by women. It signifies a mother’s strength and comfort.  As a woman utters it, she finds relief and rest from the pain of patriarchy that seeks to crush her down.

Pipariya Railway Station: Narratives

Pipariya Railway Station in district Hoshangabad, Madhya Pradesh, India was primarily established as the railhead for the Military Cantonment town of Pachmarhi. The present excerpt narrates the politics of everyday spaces at the station in the initial days. The excerpt has been translated from Hindi (Text: Pipariya, 2000 by Narayandas Maurya). The picture is only for representation purposes.

Threshing through Bullock Treading-Agricultural Practices

A farmer threshes his harvested crop in the village of Paliya Pipariya, Madhya Pradesh. In the age of combine harvesters, small scale farmers still rely on traditional methods such as bullock treading (seen in the picture) for threshing of crops, followed by winnowing. A common practice in many parts of the world, this particular method involves a herd of cattle tied to a wooden pole, made to tread in circles on the threshing floor where the dried crop is spread out.

Women's Mobilities in Naga Hills

 In the remote Naga hills , beyond the capital city of Kohima, stands the beautiful and historic village of Khonoma. Traditionally a site of resistance, having pushed back British rule in the region from the 1830s to 1880, Khonoma continues to be a space striving towards safeguarding the rights of women while strengthening Naga unity through organisations like the Khonoma Women Union, in whose honour this obelisk stands marking its 25 years in 2013.

Phool Waalon ki Sair: The Flower Seller's Festival

Phool Walon Ki Sair meaning "procession of the florists" is an annual celebration by the flowers sellers of Delhi. It is a three-day festival, generally held just after the rainy season in the region of Mehrauli. The grand procession that followed Mirza Jahangir’s return in 1812 witnessed the flower sellers of the city bringing floral chadar (sheets) and pankha (fan) as offerings. This became an annual event, with a large fair and a series of cultural performances held near Shamsi Talab.

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