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In urban and suburban Nagaland, as in many of the conflict-affected regions of India's North-East, such signs calling into action people and collectives are commonly visible. In this poster, the church as site of popular resistance is agency for mobilisation of constituencies such as the youth towards a unified struggle for the Naga nation.
In the remote Naga hills , beyond the capital city of Kohima, stands the beautiful and historic village of Khonoma. Traditionally a site of resistance, having pushed back British rule in the region from the 1830s to 1880, Khonoma continues to be a space striving towards safeguarding the rights of women while strengthening Naga unity through organisations like the Khonoma Women Union, in whose honour this obelisk stands marking its 25 years in 2013.
Every mother tongue has sounds and sighs that utter laments and express hope. The word Ayaakho Ojala is derived from the Ao Indigenous tribal language and is the ultimate angst that is often invoked by women. It signifies a mother’s strength and comfort. As a woman utters it, she finds relief and rest from the pain of patriarchy that seeks to crush her down.
Rembrandt Bridge (Rembrandtbrug) was built in 1983 as a replica of a 17th-century bridge that was in the same place. The bridge was rebuilt in color white. However, according to archive research from Heritage and Environment of Leiden (Erfgoed Leiden en Omstreken), the original bridge design in 1768 was in English red with black. The research did not please some of the local residents. Friends of Rembrandt Bridge (Vrienden van de Rembrandtbrug) made petitions against the change of color and stuck the "Liever wit dan dit (Better white that this)" over the trial color.
I am Wekoweu Tsuhah (Akole) and I belong to the Chakhesang tribe of Nagaland. I am a women’s rights activist and a development practitioner, an advocate for gender equality, social and environmental justice. While growing up, I experienced fear and rage as I lived through armed conflict, alcoholism, domestic violence, poverty and these shaped the person I am today. I am passionate about working with people, women in particular; but it is only after I started working with a women’s rights organization – NEN, the North-East Network, did I truly realize and recognize these social injustices.
Sano Vamuzo is the founding President of the Naga Mothers’ Association (NMA), an important civil society organization formed by women in Kohima in 1984. The follwing is excerpted from an interview with Dr Rakhee Kalita Moral.
A popular success story of the North-East Network (NEN) is Chizami Weaves where the NEN together with a network of 600+ local women from Chizami and the neighbouring villages of Phek district in Nagaland built ‘Chizami Weaves’ an enterprise that aimed to preserve and promote the rich textile weaving tradition of Nagaland. While empowering rural women economically, it also gave them a voice and agency to bring about positive changes in their families and communities. Gender relations within homes are changing.
Dr. Akum Longchari is the editor of The Morung Express and has been involved with the people's movements in the areas of human rights, justice, peace, and reconciliation. He also engages actively with the Forum for Naga Reconciliation and is associated with the online community journal, the Naga Republic.
The following is an excerpt from a conversation with Dr Rakhee Kalita Moral.
Dr Imsuchila Kichu is an Assistant Professor of English at Cotton University, Assam. The following is an excerpt from a piece penned by her reflecting upon Naga women and society from the perspective of an insider who has lived away from her community.
This song "Rise, Naga Woman" composed by Theyiesinuo Keditsu, music by Khyochano TCK and Topeni as soloist, was chosen as the winner for the ‘State Theme Song for Women’ and was released by the State Resource Centre for Women (SRCW) under the aegis of the Nagaland State Social Welfare Board (NSSWB) during a program organised to observe the International Day for the elimination of violence against women.
The song speaks to Naga women and asks them to spread their wings and rise up against discrimination and inspire all of Nagaland and take them to a glorious future.
Field of Baby's Breath
I wish I could wear
a pretty Pale Pink
ankle-length Calico dress
with frills, flounces and lace,
break out of the mould
abandon the stereotypes
and get into my working clothes
Our brothers are a war
Our land is awash with blood
Our rice fields need tending
Our children caring
Our sick healing
Our streets cleaning
Our enterprises running
Our home fires burning
This is what Monalisa Chankija had to say when we asked her how she views women's freedom in Naga society:
Simi Mariya Thomas, Research Scholar, MIDS, re-imagined an article circulated as pre-workshop reading in context of her work for the session Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
The temporary aura of Kannagi statue, in Chennai, which was visible during its installation as well as disappearance made me think about the current media culture.
Cheryl Jacob, Coordinator (content & curriculum design) wrote Who am I? for the session on Day 2:Reading/Writing/Re-writing/Telling/Re-telling using prompts, 20 December 2019.
Who am I? I am free. I am free to flow, free in nature. I take the state that nature gives me. In your hands I am turned into something that nature, perhaps, did not intended me for. But then who knows.
Nini Lungalang is an important voice in Naga poetry. She taught English and classical music in Northfield School, Kohima, Nagaland. In the poem Dust, she voices the experiences of numerous Naga brothers and sisters who have lost their lives.
This large cotton boubou, well sewn, shows one of the designs that reflect the Malian crisis. The product comes from Douentza (located in the 5th region of Mali). The elements seen on the boubou illustrate the proliferation of the crisis. Each element is in the form of a hook and the two small dashes from top to bottom to show the continuation of the chain. The arrangement of the design forms a chain of problems.
The whole Naga struggle, it is purely because of the invasion by India...this here is our land, this is ours. The coming of the English language too has given us new terms to describe us, including the word “indigenous” which itself is a way of saying that we are under India and it distorted our definition of who we are. After the British invasion, India too thought of us as a weak people and that it has a sense of ownership over us that led to the making of the state. It was an opportunity for Nehru to show a backup plan by giving us statehood which we didn’t ask for.
One of the first women to ever weave the Naga national flag, Lathon Kemp, passed away on the 5th of January, 2021. The news of her death brings to mind the flag and the very important place it holds in the life of the Nagas. Although, it was hoisted for the first time on the 22nd of March in 1956 in the Parashen-Rengma region, the Nagas believe the flag to have a divine origin and not designed by any mortal. A red, green and yellow rainbow is spread out against a field of blue which represents the sky.
Genetic research into rice from the inlands of Suriname draws attention to the history of West Africans who were deported as slaves to this former Dutch colony. While there are many grains of Asian rice, Surinamese black rice, ‘Blaka aleisi’, turned out to be almost identical to rice farmed by Mande-speaking farmers in West Ivory Coast according to research by Tinde van Andel. This rice was rarely eaten but instead was sacrificed to ancestors and used in spiritual herbal baths.
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